Recorded and mixed by Nicholas Wilbur at The Unknown Recording Studio in Anacortes, WA

Mastered by Ed Brooks at Resonant Mastering

Coral Grief- Air Between Us

CORAL GRIEF PRESS

“‘Rockhounds’ is an entrancingly dazed sprawl.” - Stereogum

“The sea-breeze lead single eagerly reacquaints listeners with the band’s briny, gently progging dream-pop sound” - FLOOD Magazine

“[Paint by Number] is a swooshing, hypnotic jam that sounds like it exists outside of time and space” - Tom Brehain, Stereogum

“Their music is wondrously dreamy, floating in the ether with gentle textures and focused rhythms. They jump between mellowed ambiance and motorik psych-pop, pulling influences from bands like Yo La Tengo and Broadcast together to create their own introspective landscape. Led by the gorgeous vocals and slinky bass of Lena Farr-Morrissey, the trio shift in gradual formation from one blissed out moment to the next.” - Dan Goldin, Post-Trash

“On their debut EP, Seattle duo Coral Grief absolutely nail dream pop. It’s not just the familiarity of the reverberative spaces they conjure…these are smartly-crafted songs that belie their humble, familiar frameworks with surprising twists, strong melodies and a production job that doesn’t cheapen any of these components.” - The Tape Deck

Coral Grief, the Seattle rock trio, and Air Between Us, its debut album, are accurately named. The first notes from Sam Fason’s guitar on opener “Starboard” hit like a blast of sea air to the face. In just seconds, you’re soaring, equal parts under the sky and above the sea. It’s a similar in-between where Coral Grief thrives, as they construct elaborate webs of double meanings across this tribute and eulogy to their city and community. 

Singer and bassist Lena Farr-Morrissey and Fason are linked by the psychic chemistry one can only unlock by playing together in bands for years. Fason’s guitar is the sail to Farr-Morrissey’s anchor, and here, he crafts textures thick as sheets of wind. Tying it all together—the engine in this nautical metaphor—is drummer Cam Hancock, who came highly recommended by mutual friends. His propulsive playing serves as a bridge of ideas, their final puzzle piece, a master of dynamics and transitions that shoves their songs into new territory without showing off. Together, they draw inspiration from Stereolab, Broadcast, Th’ Faith Healers, and Seefeel, to name just a few, reframing that very specific strain of British cool in a uniquely Pacific Northwest way. 

To bring the songs to life, the trio decamped to The Unknown–a decommissioned church turned sail manufactory turned recording studio in Anacortes, WA. Working with engineer Nich Wilbur on a diet of five matchas a day, the workspace became their workshop. “We were committed to the three-piece way of doing things but wanted to make it sound as lush and as full as possible,” Fason explained. 

Air Between Us is an homage to beachcombing, a thank you to everyone who keeps our music community loyal & eccentric, a document of a record store’s nine lives, a yearning to question our complacency.

It’s a midnight drive where the sun never sets, it’s the sweetest things that your grandma says. It’s one of the iconic shops on Rainier Avenue when it finally closes. It’s the takeoff, it’s the waves, it’s a traveler and a friend.

Best enjoyed while you’re going someplace, but you don’t have to know where! →←

Coral Grief- S/T
Release date: May 2021, Den Tapes

Previous Work

Coral Grief- Daydrops
Release date: February 2023, Den Tapes

Photos © Che Hise-Gattone, Kay Redden